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Section-by-section colour correction for large reels, vinegar syndrome checked first
£23.40 each on orders of 20+ reels
Rated 5.0 on Trustpilot & Google

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We post you a reinforced Media Box with secure 3-way tracked shipping and a prepaid return label.
Your memories are in safe hands. Four simple steps take them from your door to digital.
A 7-inch reel is the largest standard size commonly found in home cine collections. It holds approximately 400 feet of film, giving you around 25 to 33 minutes of footage at standard Super 8 speeds. These reels were typically used by more serious amateur filmmakers, or created by splicing together multiple smaller reels into a single compilation, a greatest hits of family holidays, birthdays, and Christmases all wound onto one big spool.
Because they hold so much footage, 7-inch reels often represent the bulk of a family's cine archive on a single spool. Losing one of these reels would mean losing a substantial chapter of recorded memories. Yet they are frequently found stored in attics, garages, and garden sheds: environments with extreme temperature swings and humidity, which are the worst possible conditions for film preservation.
At this length, chemical deterioration compounds. Vinegar syndrome (a breakdown of the acetate film base that produces a sharp vinegar smell) tends to affect the inner layers of a tightly wound reel first, where airflow is poorest. Colour fading is also cumulative. A 400-foot reel may show different levels of deterioration at the start, middle, and end depending on how tightly it was wound and where moisture penetrated. These are issues that require careful, frame-by-frame scanning with manual adjustments throughout the transfer.
We inspect the full length of film before scanning, noting any areas of damage, heavy fading, or fragile splices. Each frame is scanned individually, and colour correction is applied in sections where needed rather than as a blanket adjustment. The result is a digital file that faithfully represents the best possible version of your footage, from the first frame to the last.
Drag the handle to see how footage leaves our lab - colour revived, detail recovered, ready to watch on any screen.
Original tape on the left · your digital transfer on the right
“Emotional reunion”
In just 9 days from first contact I was reunited with my late husband after 28 years. He had made a video when he was told that he had terminal cancer, in it he left memories and advice to our 4 children. He was a strong and brave man. I had excellent communication for each step along the way, my questions were answered and explained.
“Fantastic company great job and very good price”
Thoroughly researched all options before handing over my old but very precious tapes. Rest assured the price was very reasonable and the service was amazing. I received a progress report on how long the tapes required to be transferred to a digital format and also how the quality was being enhanced too. I received the data via the cloud which was super easy to access and download to my computer. I am so happy with this company and will be recommending them to all my friends! Thank you so much Sam and the team.
“Highly recommended.”
I was very pleased with the service I received from Digital Legacy. Kept up to date at every step of the process and the quality of the digital copies is as good as the original tapes, Very competitive pricing too!
“Fantastic service”
Fantastic service. I can not recommend enough. It was so amazing to watch our wedding video again and see and hear people no longer with us. Digital Legacy are fantastic - thanks guys
“A superb experience”
Having our most precious archive of VHS memories digitised by Digital Legacy was a superb experience. Everything, from the first interaction on the website to ordering and receiving the digitised videos was seamless, immensely reassuring and very professionally done. It’s obviously a little concerning to send off the only copies you have of your memories but the smart pre-packaging sent worked perfectly and the simplicity of accounting for each tape and labelling each before sending off was helpful. The quality of the digitised files is superb. I have more to digitise - video, stills and audio and will feel absolutely secure using Digital Legacy for all of it!
“Would definitely recommend!”
Really happy with this service. Fast and efficient and extremely pleased with the final product. Thank you 😊
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Lofts are unfortunately one of the worst environments for film storage, with extreme temperature swings, humidity, and limited airflow. Your film may have vinegar syndrome, colour fading, or brittleness as a result. We assess every reel before scanning and will let you know the condition. In most cases, we can still produce a usable transfer.
No. We digitise Super 8 and Standard 8 (Regular 8) only. 16mm film is noticeably wider than the 8mm gauges, so it is easy to spot. If a reel turns out to be 16mm, we will let you know and return it to you untouched, and you will not be charged for it.
A 7-inch reel holds roughly eight times more film than a 3-inch reel. The scanning, colour correction, and quality checking all take proportionally longer. The pricing reflects the amount of footage rather than the physical size of the spool.
Not at the moment. Our scanner captures the picture only, so audio on a magnetic sound stripe is not transferred. Most home cine footage was shot silent.
Yes. We return all original film after the transfer is complete. Your reels are packed securely and shipped back to you with the same care we use for incoming media.
Significantly. Projection-based transfer (sometimes called telecine) introduces flicker, hotspots, focus inconsistency, and keystoning. Frame-by-frame scanning captures each individual frame as a clean, sharp still image, then assembles them into smooth video. The difference in quality is dramatic.
Still have questions? Get in touch and we will be happy to help.
From the guides
Written by the people who do the transfers: what it costs, what you get back, and what to check before anything goes in the post.
Your family cine reels could be any of four common formats. Here is how to tell them apart, and why that matters before anyone tries to project or digitise them.
Read the guideBoth formats are 8mm wide, but they are not the same. Here is how to identify Super 8 and Standard 8 cine film before sending precious family reels for digitisation.
Read the guideNot all cine film transfers are equal. Here is why true frame-by-frame scanning is the safer, sharper and more faithful way to digitise old family reels.
Read the guideLoft storage is rarely kind to cine film, but the footage may still be recoverable. Here is how to handle old reels safely before digitisation.
Read the guideA small cine reel may hold only a few minutes of family footage, while a larger reel can hold half an hour or more. Here is how to estimate running time before digitisation.
Read the guideA vinegar smell from old cine film is not just an odd storage odour. It can be a warning sign of acetate film decay, and the sooner it is dealt with, the better the chance of saving the footage.
Read the guideQuestions about your collection? Reach us whichever way suits you. We usually reply within a few hours.
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Unit 3, St Saviours Yard, St Saviours Ln
Norwich, Norfolk NR3 1GQ
Professional digitisation lab
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