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Section-by-section colour correction for large reels — vinegar syndrome checked first
£23.40 each on orders of 20+ reels
Rated 5.0 on Trustpilot & Google

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We post you a reinforced Media Box with secure 3-way tracked shipping and a prepaid return label.
We prepare crush-proof packing and a prepaid tracked return label, then dispatch your reinforced Media Box.
Fill the box, seal it, and drop it at any Post Office using the prepaid return postage we include.
Our Norwich lab transfers your media to digital. We return your originals with your new files on USB, cloud, or both.
Your cine reels are professionally scanned frame by frame, then delivered as digital movie files on USB and/or via secure cloud — ready to watch and share.
Use these detailed characteristics to confirm you have the right format
Not sure what format you have? .
Practical articles from the team that digitises tapes every day — costs, formats, and what to expect.

Not all cine film transfers are equal. Here is why true frame-by-frame scanning is the safer, sharper and more faithful way to digitise old family reels.
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Some family cine reels are silent, some have magnetic sound, and some 16mm or 9.5mm films use optical sound. Here is how to spot the clues before digitisation.
Read article
Many family cine reels fade towards red, pink, orange or purple over time. Here is why it happens, what can be corrected, and why scanning sooner gives the footage its best chance.
Read article
Old projectors can bring family reels back to life, but they can also damage fragile film in seconds. Here is when projection is risky, what to check first, and why scanning is usually safer.
Read article
A small cine reel may hold only a few minutes of family footage, while a larger reel can hold half an hour or more. Here is how to estimate running time before digitisation.
Read article
Loft storage is rarely kind to cine film, but the footage may still be recoverable. Here is how to handle old reels safely before digitisation.
Read articleLofts are unfortunately one of the worst environments for film storage, with extreme temperature swings, humidity, and limited airflow. Your film may have vinegar syndrome, colour fading, or brittleness as a result. We assess every reel before scanning and will let you know the condition. In most cases, we can still produce a usable transfer.
Yes. Our scanner handles all standard gauges on 7-inch spools, including 16mm. A 7-inch reel of 16mm film holds roughly 100 feet, which gives you about two to three minutes at 24fps. If you have longer 16mm reels on larger spools, contact us and we can discuss options.
A 7-inch reel holds roughly eight times more film than a 3-inch reel. The scanning, colour correction, and quality checking all take proportionally longer. The pricing reflects the amount of footage rather than the physical size of the spool.
Yes. If your Super 8 or 16mm film has a magnetic sound stripe along the edge, we capture the audio track alongside the video. The sound quality varies depending on the original recording equipment, but we extract whatever is there.
Yes. We return all original film after the transfer is complete. Your reels are packed securely and shipped back to you with the same care we use for incoming media.
Significantly. Projection-based transfer (sometimes called telecine) introduces flicker, hotspots, focus inconsistency, and keystoning. Frame-by-frame scanning captures each individual frame as a clean, sharp still image, then assembles them into smooth video. The difference in quality is dramatic.
Still have questions? Get in touch and we will be happy to help.
Questions about your collection? Reach us whichever way suits you — we usually reply within a few hours.
+44 7757 763 496
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+44 7757 763 496
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admin@digital-legacy.me
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Unit 10, St Saviours Yard, St Saviours Ln
Norwich, Norfolk NR3 1GQ
Professional digitisation lab
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