Cine Film to Digital (3-Inch Reel)

The film on these reels could be Super 8, Standard 8 (Regular 8), 9.5mm, or even 16mm. The reel size refers to the spool, not the film gauge. If you are unsure which type you have, look at the perforations along the edge of the film: Super 8 has small, closely spaced holes on one side; Standard 8 has larger holes on both sides; 9.5mm has a single row of holes running down the centre between the frames; and 16mm is noticeably wider than the others.

Small reels tend to get handled more than large ones: pulled out of boxes, threaded onto projectors, rewound by hand. This handling causes scratches, fingerprints, and edge damage over time. The film stock itself is also degrading chemically: colour dyes fade (particularly cyan and yellow, leaving a pink or magenta cast), and acetate-based film can develop vinegar syndrome, where the base material shrinks and becomes brittle.

We scan each frame individually as a high-resolution still image, then assemble the sequence into a smooth digital video file. This frame-by-frame approach eliminates the flicker and hotspot problems of real-time projection-based transfers, and produces significantly sharper results. Colour correction is applied to compensate for fading, and the final file is stabilised digitally to remove any gate weave.